Organist Brian Ebie plays Johann Sebastian Bach's Fantasia in C Major BWV 570 on the 1974 Rudolf JANKE tracker pipe organ at the United Methodist Church of Berea, Ohio. Recorded Ash Wednesday 2016.
The Fantasia in C is an early organ work of JS Bach. It is composed as a standalone piece, not coupled with a fugue or any other movements which is somewhat unusual for Bach, who wrote many preludes and fugues, toccatas and fugues, and fantasias and fugues. That being said, in his earlier years he did compose individual organ works not tied to a larger structure, such as the Fugue in G Minor ("Little Fugue") BWV 578. The Fantasia in C Major (as well as the aforementioned "little" fugue) was written around 1706-07 while Bach was serving as organist in the town of Arnstadt, or during a brief stay in the city Muhlhausen.
I hope you enjoy my impromptu performance on the Janke pipe organ, recorded during the Ash Wednesday services. Thank you for watching!
Showing posts with label Northeast Ohio. Show all posts
Showing posts with label Northeast Ohio. Show all posts
Friday, February 19, 2016
Monday, March 23, 2015
Brian Ebie Plays "Joyful, Joyful We Adore Thee" arranged by Diane Bish
Organist and composer Diane Bish has been one of the
greatest advocates of the pipe organ in recent history. Not since the time of the so-called golden
age of organ building and the “superstars” like Virgil Fox and E. Power Biggs has
anyone had more success in bringing the organ to large audiences. Through her development and broadcast of the
weekly “The Joy of Music” television series, Diane shared with the world a sort
of National Geographic of the pipe organ—taking us to see and hear pipe organs
places we will probably never visit.
I have fond memories of watching The Joy of Music broadcasts
on Sunday afternoons with my mom, while I still lived at home my first year of
college, and I would continue to watch in later years, finding it on at 6:00
a.m. in the morning on TBN, or on EWTN on Sunday afternoons. Diane Bish inspired me to learn more
literature, and through her playing gave me suggestions about new pieces to
try. I’ll never forget my first Bish
recording was on vinyl, 33-1/3 LP, playing the famous Müller organ at St. Bavo
in Haarlem, Holland. Shortly after that,
(maybe 1987?) I bought a cassette tape which I still own despite it sounding
pretty garbled after all these years, entitled “The Joy of Music.” On this recording, Diane played several of
her hymn arrangements, including her “Toccata on Christ the Lord is Risen Today”
and “Joyful, Joyful.” I purchased
several of her hymn arrangement books and started incorporating her settings
into my repertoire.
But it was Joyful, Joyful that really had me
fascinated. I had to special order sheet
music and it seemed like forever until it
arrived. When the score finally came, I
headed straight to the church and tried to sight-read it… Pretty discouraging. And after a few tries, I put it away, and
there it stayed for the next almost 30 years.
It moved with my church music from church job to church job. Sometimes I would look at it around Easter,
realize I didn’t have time to learn it, and put it away again.
Fast-forward to 2015.
I happened across a YouTube video of Diane Bish playing the “Joyful,
Joyful” arrangement from a 1982 concert at Coral Ridge Presbyterian Church, and
I was immediately caught up again in my love for that piece! I played the video for my wife—who had never
heard it before, much less my feeble attempts at it—and she loved it! “You need to learn that!” she said. Then, as the stars seem to align over such
things, I was asked to play the closing piece on an American Guild of OrganistsMember’s Recital in Akron, Ohio. The
topic being “Outrageous Offertories” I thought well this is perfect.
I began practicing the piece and this time it came. It was really a challenge to learn, and made
me use left hand technique that had been too long unused. But it came.
I learned it, and what’s more, I found that I learned it so well that it
was memorized! In just about three weeks
of off and on practice, at long last I could play the Diane Bish piece that for
me had been a forgotten dream.
On March 8, 2015 at Bath United Church of Christ, I
performed it in public for the first time, on a Schantz pipe organ and in a
beautiful sanctuary, surrounded by my AGO colleagues, audience members, and
family and friends. Everyone played well on the concert and the pressure was on! Next thing I knew, I was walking up to the console, no score, and started to play. I had a ball. It came off really well, and I've promised
myself that I won’t let it out of my fingers or my mind!
I hope you enjoy.
And if by some crazy miracle Diane Bish ever sees this.... Thank you for your inspiration.
Friday, March 6, 2015
Akron Chapter of the American Guild of Organists Members Recital
 |
| Schantz Organ Bath Church Photo by Brian Ebie |
The concert will be held at Bath Church in Bath, Ohio. The church houses a fine three manual and pedal Schantz Pipe Organ built by the Schantz Organ Company of Orville, Ohio in 2004. The church sanctuary at Bath church is a lovely setting, with large picture windows running nearly floor to ceiling, that overlook a wooded landscape.
Sunday, March 8, 2015 at 3:00 p.m. Bath United Church of Christ
3980 West Bath Road, Akron, OH 44333
Free and Open to the Public
Program Selections
Sonata
in D major Wq70/5 Carl Philip Emanuel Bach
Allegro Moderato
Adagio
Allegro
Rex Roseman
Prelude
and Fugue in B Flat Major Johann Sebastian Bach
Mary Ragna Yetter
Hornpipe
Humoresque Noel Rawsthorne
Nancy Robinson
4’33” John Cage
Mario Buchanan
Every
Time I Feel the Spirit Adolphus Hailstork
Gary J. Pinter
Musical Clockworks Franz Joseph Haydn
I
Menuet (Song of the Quail)
II March
III Minuet (Allegretto)
Lynn Frey-Steward
Branles
and a Gaillarde Pierre Attaingnant
Mary Ragna Yetter
Joyful,
Joyful, We adore Thee arr. Diane Bish
Brian Ebie
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